The Broadway-bound revival of the musical 1776, which begins a pre-New York engagement at the American Repertory Theater in Cambridge, MA, next month, has announced a cast comprised fully of performers who identify as female, non-binary and trans. The cast announced Friday was specifically for the A.R.T. production and might not necessarily carry over to
Broadway
If the last week in our entertainments has shown us anything, it’s that even the most ordered, traditional of ceremonies can be disrupted by an unkind explosion of id, with ramifications splashing like crocodile tears on even the most unexpected of our heroes. Take Me Out, Richard Greenberg’s 2002 play that charts the ramifications when
UPDATE, with Public Theater/SUFFS info: A Strange Loop, Michael R. Jackson’s Pulitzer-winning musical, has canceled its first Broadway preview, originally set for Wednesday, due to cases of Covid detected within the company. Previews now are expected to begin Thursday, April 7, at the Lyceum Theatre with understudies in some roles. The show becomes the second
Broadway’s spring season kicked into higher gear last week, with the arrival of seven previewing productions (with more to come over the next few weeks). Business overall remained robust, with the 31 shows grossing a total of $28,818,836. The figure marks a 7% increase over the previous week, a jump due in no small part
Funny Girl arrived on Broadway to a full house last week, selling out its first preview at the August Wilson Theatre. The musical revival, starring Beanie Feldstein in the title role, hit town as Broadway continues posting big rebound box office numbers. For the week ending March 27, the 24 Broadway productions took in $26,814,466,
All but six of the current 22 Broadway productions filled more than 90% of their available seats last week, and most of the ones that didn’t hit that mark came close, according to the first detailed box office figures released this season by the Broadway League. In all, the 22 shows grossed a total of
The Broadway League announced today that it will resume its traditional, pre-pandemic practice of reporting weekly Broadway sales totals starting next week. The first box office report under the resumed policy will be released Tuesday, March 22. The League also indicated that the weekly grosses of individual shows from earlier this season will also be
Broadway box office last week rebounded from the previous week’s slip, gaining 13% in receipts and 10% in attendance. In all, the 20 productions grossed $22,375,926. Paid attendance for the week ending March 13 was 168,999, representing about 85% of available seats filled. The average ticket price was $132, up a few bucks from the
Broadway box office took a 14% stumble last week, with total receipts for the 19 productions dropping to $19,746,606 from the previous week’s sturdier $23,004,259. Total attendance was down by the same percentage, to 153,269. In all, about 78% of seats were filled during the week ending March 6, a drop from the previous week’s
Broadway continued its 2022 rebound last week, with 92% of available seats filled and box office receipts climbing 5% over the previous week to $23,004,259. Total attendance for the 19 Broadway productions during the week ending Feb. 27 was 177,701, a 3% increase over the previous week. The average ticket price was a robust $129.
Broadway box office was up 15% last week, hitting $21,835,116 as average ticket prices climbed 11% over the previous week to $126. With attendance up only 4% over the previous week (to 173,184), the higher ticket prices for the week ending Feb. 20 no doubt contributed mightily to the $21.8M box office tally for the
Broadway box office continued its climb back from the early-winter Omicron surge, with 19 productions grossing a total $18,939,840 for the week ending Feb. 13, a 12% jump over the previous week’s take. Total attendance for the shows was up 9% to 165,971, a decent 87% of total seating capacity. Average ticket price was $114,
Broadway box office showed some improvement last week, with business for the 19 productions rising 12% from the previous week to a total $16,909,848. Paid attendance was up a commensurate 9% to 152,557, indicating that about 81% of available seats were filled during the week ending Feb. 6. That’s a noticeable improvement over recent weekends,
Broadway’s ongoing, twice-annual 2-for-1 ticket special seems to have help stave off what might otherwise have been a more precipitous drop in attendance last week as box office receipts dropped about 9 percent to $15,038,225. Paid attendance of 139,584 for the week ending Jan. 30 was off by about 8% from the previous week, roughly
Broadway’s pre-Omicron autumn might best be described using a song lyric sung on stage every night by American Utopia‘s David Byrne: “Same as it ever was.” As disappointing but hardly surprising private box office data obtained by The New York Times indicates, Broadway audiences returned from the 18-month pandemic shutdown last fall with old habits
Broadway continued its winter freeze last week, with box office dropping 11% to a slim $16,494,289 for its meager 21-show roster. Attendance for the week ending Jan. 23 was 152,135, a slip of 6% from the previous week. The reduced roster – the previous week had 25 productions on the boards – did seem to
UPDATED with latest: There was a glut of great TV, movies and music to celebrate in 2021, but 2022 isn’t allowing much room for celebration. Many awards events were canceled, moved or modified as New York and Los Angeles smashed daily Covid records due to Omicron. The winter months are proving challenging for red carpet
Broadway box office stayed slim last week, with a total gross of $18,496,689 holding even with the previous week, and total attendance of 162,566 rising a small 4%. Granted, the totals reflect a smaller roster of 25 productions (compared to 27 the previous week), so the tallies indicate some improvement on a per-show basis. And
Broadway’s traditional post-holiday January doldrums teamed up with a slate of show closings and a national skyrocketing surge in Omicron cases to send box office tumbling by nearly a third last week. Combined grosses of $18 million for 27 Broadway productions were down 31% from the previous week’s $26 million. The figure – $18,251,734, to
Broadway box office receipts rebounded by a significant margin last week, climbing to $26 million from Christmas Week’s grim, Covid-decimated $14 million estimate. That’s an overall, week-to-week increase of 87%, and reflects a tally largely in keeping with recent pre-Christmas Week figures. Still, compared to the $43 million b.o. from the same week in a
Broadway box office tumbled last week, dropping 26% from the previous week to a combined tally of $22,511,627 for the 31 productions. Attendance for the week ending Dec. 19 – a week marked by the emergence in New York of the Omicron covid variant and the beginning of a rush of Broadway cancellations – was
UPDATE, with Mrs. Doubtfire Mrs. Doubtfire just joined the roster of on-pause Broadway productions due to positive Covid test results within the company. Producers announced that performances of the musical at the Stephen Sondheim Theatre from tonight through Sunday, Dec. 19, have been canceled. Described as being on “hiatus,” Mrs. Doubtfire is scheduled to resume
The Broadway production of Diana, The Musical will play its final performance on Sunday, Dec. 19, producers have announced. The musical began previews at the Longacre Theatre on Nov. 2 and opened to withering reviews on Nov. 17. At time of closing, it will have played 33 performances and 16 previews. “We are extraordinarily proud
Broadway box office settled back to its pre-Thanksgiving levels last week, with grosses for the 29 shows totaling $26,214,735, a 19% drop from the previous week’s holiday take. Attendance for the week ending Dec. 5 showed a commensurate decline, falling about 12% to 210,795. About 83% of available seats were filled, with an average ticket
Broadway box office saw a Thanksgiving holiday boost of about 30%, with total receipts for the 33 productions rising to $32,543,570 for the week ending Nov. 28. Total attendance was up about 12% (to 238,354) over the previous week, indicating that much of the increased box office tally was due to higher holiday-week ticket prices.
Broadway box office held steady last week, slipping a negligible 2% from the previous week to $25,074,048, with paid attendance of 212,819 off a small 1%. Though there was one additional production on stage compared to the previous week – the revival of Company joined the roster – Harry Potter and the Cursed Child was
Broadway’s total weekly box office of $25,565,641 was up last week by about 12% over the previous week, with new re-arrival of a slimmed-down, one-part Harry Potter and the Cursed Child joining the roster. For the week ending Nov. 14, the 31 Broadway productions drew a combined total attendance of 214,681, up about 11% from
Broadway box office was up about 16% last week, with three new productions joining the playing roster and all 30 of the shows taking in a combined $22,855,192. The figure, which represents box office grosses for the week ending Nov. 7, indicates an expected rebound from the $20 million tally of the previous week, which included
The critically acclaimed Broadway plays Is This A Room and Dana H. have been given two-week reprieves by ticket-buyers: Recently-announced early closing dates have been rescinded due to increased demand. Instead of closing Nov. 14, both shows will play through most of the month. Tina Satter’s Is This A Room, starring Emily Davis as whistleblower
Broadway’s 27 productions took in a $19,663,438 total box office last week, a drop of about 11% from the previous week’s tally, according to figures from the Broadway League. For the week ending Oct. 31, total paid attendance was 168,169, about 78% of the combined capacity for all productions. The season-to-date box office (since Aug. 4)
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