Broadway continued filling seats last week as the annual deep-discount Broadway Week promotion (actually three weeks) came to a close. Total receipts for the 21 productions tallied to $23,064,393, with attendance of 192,323 at 95% of capacity. Topping the box office roster for the week ending Feb. 12 was, once again, The Phantom of the
Broadway
Discounts, winter promotions, benefit performances and the absence from the roster of now-closed solid earner The Piano Lesson added up to a slide in Broadway box office for the week ending Feb. 5, down about 9% from the previous week to $23,518,702. Total attendance was down only 5% through (to 195,520), with the smaller average
The long-running The Phantom of the Opera was once again Broadway’s highest grossing show last week, taking in a mighty $2,483,532 for the week ending Jan. 29, outpacing runners-up Funny Girl ($1,872,862) and Hamilton ($1,871,921) by a noticeable margin. The Andrew Lloyd Webber musical at the Majestic has experienced a remarkable resurgence in interest (and
With a slimmed-down roster and many productions offering 2 for 1 tickets during the annual Broadway Week promotion, Broadway box office was down 24% for the week ending January 22, with the 23-show total at $25,835,362. Attendance of 204,847 was off 17% from the previous week when 29 shows were on the boards. Despite the
Broadway lost six productions on January 15 – including the top-grossing The Music Man – to the usual January roster-thinning, and each show went out on a happy note with strong attendance. With 29 productions on the boards, Broadway grossed $33,859,988 for the week ending January 15, down about 9% from the previous week when
Broadway box office took the expected drop last week, declining nearly 30% (to $37,394,931) from the previous week’s holiday-pumped $52M figure. Attendance for the 32 shows was down about 12% (to 275,834), but remained at a solid 92% of total capacity. The reason for the decline, of course, is the previous week’s New Years week
Big holiday ticket prices, bonus performances and large audiences spurred a hefty surge of nearly 50% in Broadway box office last week (ending Jan. 1) over the previous week, with productions including Funny Girl, MJ, Six, Beetlejuice and & Juliet among the shows smashing house records. With 20 of the 33 shows adding a ninth
Funny Girl broke a house record with more than $2 million in receipts at the August Wilson Theatre, A Beautiful Noise continued its $1 million-plus weekly take, and The Piano Lesson topped the list of highest-grossing non-musical productions with $914,752, each contributing to Broadway’s $37M box office tally for the week ending Dec. 18. Heading
The holiday spirit – at least the kind measured at the box office – seemed to arrive on Broadway last week, for some shows anyway. Obvious case in point: A Christmas Carol, starring Jefferson Mays in his tour de force as every last ghost, miser and Cratchit in the story, was up a bountiful 34%
A Beautiful Noise, The Neil Diamond Musical took in more than $1 million at the box office in the week leading up to, and including, its opening night on Sunday. Filling 91% of seats at the Broadhurst, the jukebox bio-musical joins & Juliet, Leopoldstadt and The Piano Lesson as one of the strongest newcomers of
Even with one fewer show on the Broadway boards, and overall attendance at the 33 productions down a smidge from the previous week, Broadway box office was up 22% during Thanksgiving week, scoring a plump $37,475,773 due to plumper holiday ticket prices. Not coincidentally, average ticket price was up 22% from the previous week, hitting
A busy week on Broadway saw three official openings (including the Take Me Out return) and three additions to the line-up of previewing productions, with grosses for the 34-show roster jumping by 8% (to $32,314,920) over the previous week. Attendance for the week ending Nov. 13 was up 11% to 272,232. Starting with the openers,
Two of the fall Broadway season’s buzzy new musicals – A Beautiful Noise, The Neil Diamond Musical and Some Like It Hot – began previews last week, both doing solid business in their first, partial weeks. A Beautiful Noise pulled in an impressive $845,074 for five performances, filling 88% of seats at the Broadhurst with
EXCLUSIVE: Comic monologist Mike Birbiglia has made an early Broadway splash with his new show The Old Man & the Pool, selling out his first four previews last week – the only other production with all seats filled was The Phantom of the Opera – and, Deadline can report exclusively, getting a two-week extension of
UPDATE: Last season’s Tony-winning Broadway production of Richard Greenberg’s Take Me Out proved so popular that producers made the unusual decision to bring the show back, its cast largely in tact, for some extra innings. Take Me Out begins a 14-week Broadway run today, playing through January 29, 2023. The original cast remains except for
Broadway box office held steady last week, with impressive attendance for recent arrivals Almost Famous and Kimberly Akimbo, and Leopoldstadt again setting a house record at the Longacre with receipts of $1,158,051. In all, the 28 Broadway productions grossed $28,585,160 for the week ending Oct. 23, just about dead-even with the previous week. Total attendance
Broadway held fairly steady at the box office last week, with recent arrivals Leopoldstadt and The Piano Lesson leading the pack of fall newcomers with grosses of $758,988 and $704,051, respectively. In all, Broadway’s 25 current shows took in $25,208,583 for the week ending Oct. 2, a slight 4% slip from the previous week, possibly
A Pulitzer Prize can be a burden, one must assume, trumpeting expectations and pumping reputations from a distance. Martyna Majok‘s Cost of Living won the trophy in 2018, and that victory has been mentioned often in the lead-up to the play’s opening on Broadway tonight in a Manhattan Theatre Club production at the Samuel J.
Well, that’s that. After all the controversies and badly handled original castings and headlines and backstage bruisings and firings or resignations or whatever they were, Funny Girl is, as so many suspected all along, the musical that Lea Michele was born to lead. Broadway’s new Fanny Brice is, to put is simply and without exaggeration,
The Piano Lesson led the pack of Broadway’s recent arrivals at the box office last week, with the August Wilson revival starring Samuel L. Jackson, John David Washington and Danielle Brooks grossing $795,306 for its first seven performances at the Ethel Barrymore Theatre. Coming in a close second, in terms of gross receipts, was Leopoldstadt,
A slate of four new productions and renewed interest in a couple of old ones pushed Broadway box office up by 20% last week, with total receipts for the 24 shows reaching $24,954,517 and attendance climbing 14% to 201,321 for the week ending September 18. Among the newcomers: Death of a Salesman, 1776, Cost of
The starry Off Broadway revival of Merrily We Roll Along featuring Jonathan Groff, Daniel Radcliffe and Lindsay Mendez doesn’t begin previews for another two months, and already it’s gotten a two-week extension due to ticket demand. The Stephen Sondheim-George Furth musical will now run from November 21, 2022, to January 21, 2023, at New York
Even with a Covid-shortened performance schedule, Lea Michele’s star turn in Funny Girl was serious business last week, with box office for the musical revival more than doubling from the previous week. For the week ending September 11 — Michele’s first week as Fanny Brice — Funny Girl grossed $1,639,212, a dramatic upturn from the
EXCLUSIVE: ALI, a musical about civil rights leader and world heavyweight boxing champion Muhammad Ali, who became a pivotal historical figure of the 20th century, transcending his sporting achievements, is being developed for Broadway, Deadline can reveal. The show, which has the full support of Lonnie Ali, the great man’s widow, is being created by composer,
Broadway gave Billy Crystal a fine send-off last week, with the star’s Mr. Saturday Night musical grossing more than $1 million during its final week of performances. That number – $1,014,614, to be precise – is a big jump over the show’s weekly box office takes in recent months. About 98% of seats at the
Most of the 21 Broadway productions on the boards last week showed some signs of summer doldrums, with 17 shows reporting drops in box office over the previous week. Still, with The Music Man back on the roster after a week’s hiatus, the overall total box office take of $23,513,592 was up about 6%. Total
EXCLUSIVE: Start spreading the news! A new musical loosely based on Martin Scorsese’s 1977 film New York, New York will begin performances on Broadway, theater to be announced, in March 2023. Opening night will be in April, with Tony and Olivier Award winner Susan Stroman on board to direct and choreograph. The show — of
Broadway box office drooped in the final, sun-baked weeks before the Fall arrivals of new shows, with the roster of productions down to 20 last week and total box office slipping 19% from the previous week to $22,232,527. Attendance was down about 15% to 181,785, roughly commensurate with the lesser number of productions (down from
Tony winner Jesse Tyler Ferguson and nominee Jesse Williams are suiting up again as stars of the baseball-themed Take Me Out, which is set to return to Broadway in the fall. The hit revival will re-take the field October 27 at the Schoenfeld Theatre for 14 weeks, it was revealed today. Written by Richard Greenberg and
Broadway’s heavy hitters withstood New York’s heatwave last week, with MJ, Dear Evan Hansen and Hamilton selling out and Hadestown, Harry Potter and the Cursed Child, Into The Woods, Moulin Rouge!, Six, The Book of Mormon, The Lion King and The Music Man coming very close. In all, the 23 Broadway productions took in $27,682,655
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