Broadway

John Deyle, a veteran actor on Broadway and television commercials, died June 22 in Mount Kisco, NY of esophageal cancer. He was 68. Born and raised in Rochester, New York, he studied at the University of North Carolina School of the Arts. In 1978, when auditioning for the Richard Rodgers and Martin Charnin musical I Remember Mama, Charnin decided
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Strong showings at the June 11 Tony Awards – both in terms of trophies and on-air performances – seem to have made an equally sturdy impact at the box office, with best musical Kimberly Akimbo and nominated & Juliet – posting their best numbers yet, and best play Leopoldstadt making significant gains over the previous
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While she was ebullient about Leopoldstadt‘s Tony Awards wins, including a crowning one for Best Play, producer Sonia Friedman offered some sobering thoughts about plays of its scale and cost Sunday night. “Oooh, this is a big conversation,” Friedman said when asked about the challenges of producing a show like Tom Stoppard’s multi-layered look at
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With the Tony Awards – and a seriously orange New York City sky – prompting some Broadway productions to reduce their playing schedules last week, total box office and attendance was down a bit, with the 33 shows taking in $30,961,479 for the week ending June 11. In all, four productions – Kimberly Akimbo, New
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Lin-Manuel Miranda wants to keep directing movies, but don’t look for him to mount any large-scale spectacles. “My responsibility as a filmmaker — and I really hope to make more movies — is to make the weird little musicals that no one else can get made,” he told Rosie Perez during an appearance Tuesday at
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It’s safe to say that today’s picket line at Warner Bros in Burbank drew a little more attention than some other days. That’s because newly unionized strippers from North Hollywood turned out to support striking WGA writers — and they brought a pole along. Have a look at some images and video from Strippers Day
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Five-time Emmy winner and Grammy Award nominee Wayne Brady will play the title character in The Wiz revival when it lands on Broadway in spring 2024, producers announced today, with Doom Patrol’s Alan Mingo Jr. (Kinky Boots) taking the role during many of the production’s pre-Broadway tour dates. The casting comes after the recent news
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Broadway box office overall held steady last week, even as the recent Tony Award nominations already seemed to lose some of their power to boost ticket sales. Some shows with nominations saw declines at the box office, from Good Night, Oscar and Some Like It Hot to Leopoldstadt and New York, New York. For the
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Broadway box office for the 2022-23 season – the first full season since the industry’s return from the Covid closure – reached $1,577,586,897, a big increase over the last two hard-hit seasons but still about 14% lower than the pre-pandemic high of $1.8 billion. Figures released today by the Broadway League indicate that total attendance
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Tony nominations seem to have given a box office boost to at least some of Broadway’s shows, with Some Like It Hot, Kimberly Akimbo, Parade and Leopoldstadt reporting noticeable bumps for the week ending May 14. The biggest improvement, though, was for a musical that scored zero nominations: Bob Fosse’s Dancin’ grossed $678,147 in its
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Succession‘s Jeremy Strong will star in playwright Amy Herzog’s new Broadway adaptation of Henrik Ibsen’s An Enemy of the People. Tony-winning director Sam Gold will direct in early 2024. The Broadway venue, complete cast and design team will be announced at a later date. The new production was announced today by producers Seaview and Patrick
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The Broadway box office report won’t register the impact of this morning’s Tony Award nominations for a week or two, but today’s news certainly comes as welcome and promising signs for Shucked, Kimberly Akimbo, Fat Ham and other well-reviewed productions doing their best to compete against blockbusters like Sweeney Todd and Parade. Shucked in particular
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Broadway’s The Phantom of the Opera had yet another smashing, down-to-the-wire week at the Majestic, grossing more than $3 million for the second consecutive week as the countdown to its April 16 closing continues. Meanwhile, another villainous character – the bloodthirsty killer of the ecstatically reviewed Sweeney Todd, The Demon Barber of Fleet Street –
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Broadway’s old and new teamed up last week to boost total box office nearly 20%, with The Phantom of the Opera (the old) posting a best-ever $3 million weekly gross and The Jonas Brothers (the new, to Broadway anyway) taking in $1.6 million for their five-concert residency. In all, Broadway’s 29 productions grossed a total
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A raft of Broadway’s recent arrivals led by Sweeney Todd: The Demon Barber of Fleet Street helped push the industry’s total box office last week to $28,638,821, up 13.8% from the previous week. Total attendance was up commensurately to 229,771. Sweeney Todd, starring Josh Groban and Annaleigh Ashford, contributed a whopping $1.8 million to the
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The revival of Sweeney Todd: The Demon Barber of Fleet Street, with Josh Groban and Annaleigh Ashford in previews at the Lunt-Fontanne, is firmly in Broadway’s $1 million club, with receipts for the week ending March 5 at a bloody good $1,526,254. And that’s just for six performances. The Stephen Sondheim-Hugh Wheeler musical filled every
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