Oscars

The Oscars has people talking in a way the ceremony has not been able to in years. Unfortunately, it is not so much about the moving acceptance speeches or elaborate production numbers but an ugly incident, in which Oscar nominee (and eventual winner) Will Smith slapped presented Chris Rock after the latter had directed a
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The Oscar Slap was Topic #1 on ABC’s The View today, with moderator – and former Oscar host – Whoopi Goldberg saying Will Smith “overreacted,” Joy Behar commenting that “comedians are in danger everywhere,” Ana Navarro decrying “men behaving badly” and Sunny Hostin describing Smith’s “toxic masculinity” as “not a show of love [but] a
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There was a time during the pre-pandemic when zeitgeist documentaries like RBG and Won’t You Be My Neighbor were bright spots at the box office. However, because of arthouse audiences’ caution to return to moviegoing last summer, Searchlight, which scooped up Summer of Soul from Sundance 2021 for $12M, opted to release the movie with an exclusive two-week theatrical
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In another 48 hours, we’ll know if it worked—the Oscar show’s Audience Replacement Therapy. Almost inevitably, total viewers for Sunday night’s Academy Awards telecast on ABC will rise from last year’s pathetic 10.4 million. The bar is very low, and other recent awards shows—the Emmys, SAG, Critics Choice—have all caught a bounce.  For the Oscars
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Editor’s note: Mooky Greidinger is CEO of the world’s second-largest exhibitor, Cineworld, which also owns Regal in the U.S. A staunch supporter of the theatrical experience, Greidinger grew up in the industry and is avowedly passionate about the movie business. But as Oscars weekend arrives, he is confounded by the Academy of Motion Picture Arts
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A4 presents Kagonada’s second feature After Yang in limited release, the latest in the distributor’s varied indie slate ahead of wide-release horror slasher X on 3/18 and sci-fi adventure Everything Everywhere All At Once on 3/25 — which is also opening SXSW Film Festival. This is a weekend where The Batman casts a long shadow,
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Editor’s note: The Deadline Watchlist is a feature spotlighting small-screen specials, events and can’t-miss episodes of ongoing series each week. 1. The Afterparty Season Finale: Through the first seven episodes of the Christopher Miller created and Phil Lord EP’d murder mystery, Tiffany Haddish’s Detective Danner has been trying to find out who killed the annoying
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As Oscar nominees circulate in theaters, exhibitors are studying where and when to play Best Picture contenders during the long run-up from nominations February 8 through the awards March 27, juggling holdovers and new releases. (See this weekend’s specialty box office offerings below). In an interview with Deadline, Zach Nix, senior film buyer at Alamo
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Those theatrical motion picture studios earning Oscar Best Picture nominations today will put their best foot forward at the box office, and increase the cinema footprint of their contenders in an effort to capitalize on their success and raise the pics’ profiles. And while the box office has improved, natch, because of the reopening of
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Buffalo 8 Distribution has acquired the North American rights to Jan P. Matuszyński’s Leave No Traces starring Tomasz Ziętek (Corpus Christi), Sandra Korzeniak (Influence) and Jacek Braciak (Edi). The film, which debuted at the Venice Film Festival, is Poland’s official selection for Best International Feature at the upcoming Academy Awards. Buffalo 8 will release the
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Neon and Participant opened animated documentary Flee to a $25,033 debut in four locations. That makes for a strong per-theater average of $6,258 ahead of a rollout early next year for the much-decorated Danish film ahead of Academy Award nominations Feb. 8. It’s one of a few rather particular offerings, including Drive My Car, that
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Hungary Selects Oscar Entry Hungary has selected Péter Bergendy’s Post Mortem as its official entry for the International Oscar race this year. The period horror tells the supernatural story of a post mortem photographer and a little girl confronting ghosts in a haunted village after the First World War. The film premiered at Warsaw IFF
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“Please don’t make the Olympics into the Oscars,” Bill Maher pleaded in his show-ending New Rules monologue in tonight’s return of Real Time to HBO after a month’s break. Last April, as he reminded the audience, he said the theme of this year’s Oscar show was, “We dare you to be entertained.” Its producers, he
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The tempo of the song chosen for the In Memoriam segment was one of many unconventional choices by the producers of this year’s Oscars. The fast beat of Stevie Wonder’s “I’ll Be Loving You Always” divided fans, with many taking to Twitter to complain, some using memes, including the candy factory scene from I Love
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Disney, which has been experimenting with the theatrical window lately with simultaneous movie releases on streaming service Disney+ Premier much to the upset of theater owners, dropped a PSA during the Oscarcast waving a flag for exhibition. Filled with first person testimonials of exhibition workers and clips from upcoming big pics like F9, No Time
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“The Oscars need to change their name to the Debbies — as in Debbie Downer. Because judging by this year’s Best Picture nominees, you couldn’t have a worse time at the movies if  there was an active shooter in the theater,” fumed Bill Maher Friday. HBO’s Real Time With Bill Maher hit all the week’s
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While it’s not really a time to take a victory lap at the box office with only 3,1k movie theaters opened out of U.S. and Canada’s 5,8K, five out of the eight Oscar nominated best pictures this past weekend in theatrical release reaped the halo effect of Monday’s noms. Keep in mind many arthouses, especially
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EXCLUSIVE: “Don’t be in a panic!” These are the sage words from Sony Pictures Classics’ Co-President Michael Barker about the future of independent films at the theatrical box office. While the pandemic and the proliferation of streamers has sent a number of awards season contenders into the home, he believes that arthouse fare will still
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Yeah, yeah, yeah, Universal/DreamWorks Animation’s Croods: A New Age led the box office for its fifth weekend out of 13 running, and crossed $50M, inching closer to becoming the top grossing movie of the pandemic, and potentially upsetting Warner Bros.’ Tenet ($57.9M). However, in a business where the transparency of numbers has always been public, for
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