Belfast

Kenneth Branagh’s Belfast was named Best Picture at the 20th anniversary AARP Movies for Grownups Awards, which were handed out in a virtual ceremony hosted by Alan Cumming tonight. Will Smith and Aunjanue Ellis took Best Actor and Supporting Actress for their respective roles in King Richard, making it the only movie or TV show to win
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Those theatrical motion picture studios earning Oscar Best Picture nominations today will put their best foot forward at the box office, and increase the cinema footprint of their contenders in an effort to capitalize on their success and raise the pics’ profiles. And while the box office has improved, natch, because of the reopening of
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Cinemas from Philly to New York State and Boston (Coolidge Corner Theatre, you were missed) shuttered all or part of Sat., rattling but not routing the specialty box office. And a shout-out to theaters in NYC proper where all stayed open – sparse by day but picking up in the evening thanks to “younger people
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Refresh for latest…: Sony/Marvel’s Spider-Man: No Way Home scaled fresh heights this session as it reached an amazing new milestone by crossing the $1B mark at the international box office. The offshore cume through Sunday is an estimated $1.003B for a global total of $1.74B. With the new milestone, No Way Home becomes only the 10th movie ever
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Critically acclaimed specialty holdovers continued to plant their flags in theaters as awards season advances and Oscar nominations loom — and on a weekend with few new releases, most not reporting grosses today. Among the bigger indies, United Artists Releasing’s Licorice Pizza by Paul Thomas Anderson grossed an estimated $683k in week nine from 772
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Remember when New York and Los Angeles use to post big figures for the opening of a specialty film at the box office? Well, those days look to be coming back. United Artist Releasing’s MGM Paul Thomas Anderson’s 1970s teen comedy Licorice Pizza posted a huge $83,8K opening screen average from four theaters, which the
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C’mon C’mon from A24 turned in the best per-screen average for a limited platform release since Covid at five theater in New York and LA as stellar critical response was met by strong exit polls ahead of a wider rollout into top markets over Thanksgiving and continued expansion thereafter. The Mike Mills’ awards contender led
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Belfast, Kenneth Branaugh’s intensely personal story of one boy’s childhood in tumultuous late 1960s Northern Ireland, earned an estimated $1.8M in 580 locations this weekend for a PTA of $3,111 – a solid showing for a black-and-white film in a specialty market that’s waging what one distribution exec calls an “an inch-by-inch, week-by-week recovery.” The
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Saturday AM Update: Despite the worst reviews for a Marvel movie, and a B CinemaScore, the second weekend of Disney/Marvel’s Eternals didn’t implode, now on track for a -62% weekend, which is on the high end of where we were expecting it with $27.4M. The pic made $7.8M yesterday, -75%. Through ten days, the Chloe Zhao directed
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Paramount will continue to experiment with a theatrical day-and-date release model during the pandemic with eOne’s Clifford the Big Red Dog, a live-action CGI hybrid take of the 1963 Scholastic children’s book classic which hit theaters today at 1:30PM, goes wide tomorrow at 3,695 theaters and also drops on Paramount+. The movie is expected to do between
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