The Location Managers Guild International has announced the winners of its 9th annual LMGI Awards with HBO’s Succession, Netflix’s Stranger Things and HBO Max’s Station Eleven topping the television categories, and House of Gucci and No Time To Die receiving the Motion Picture honors. Hosted by Paul Scheer, the awards ceremony and reception took place
No Time To Die
Editor’s note: Mooky Greidinger is CEO of the world’s second-largest exhibitor, Cineworld, which also owns Regal in the U.S. A staunch supporter of the theatrical experience, Greidinger grew up in the industry and is avowedly passionate about the movie business. But as Oscars weekend arrives, he is confounded by the Academy of Motion Picture Arts
EXCLUSIVE: To kick off the 60th anniversary of James Bond this year, MGM and EON are re-releasing No Time to Die in Imax nationwide this Friday, Jan. 21. There will be an exclusive Q&A event featuring Daniel Craig, director Cary Joji Fukunaga, and producers Michael G. Wilson and Barbara Broccoli broadcasted ahead at select Imax screenings. No
MGM and Eon Productions’ No Time to Die has come to represent something greater than just simply Daniel Craig’s final turn in the tuxedo. Say what you will about Tenet, but No Time to Die‘s long path and long wait to the big screen serves as a symbol of the survival of theatrical releases; a rising phoenix for
Powered by a slate of major tentpoles including Sony/Marvel’s Spider-Man: No Way Home and MGM/Eon/Universal’s No Time To Die, Cineworld Group reports it generated positive cash flow for Q4 2021. The world’s second largest exhibitor, which owns Regal in the U.S., did not disclose dollar amounts, but released a trading update this morning for the
Given the ongoing pandemic with regard to global box office, it’s tempting to say “The more things change, the more things stay the same.” To wit: Disney still leads all studios worldwide, piracy remains a major concern, and many markets are still in Covid-induced flux. But when looking back over 2021 versus 2020, there are
UPDATE: Notably on the menu this weekend overseas were new openers Disney’s Encanto and MGM/Universal’s House Of Gucci. The former came in lower than hoped at the international box office, with $29.3M in 47 material markets, though it did make the low end of its global projection at $69.6M (including domestic‘s 5-day frame). The Disney
EXCLUSIVE: The highest grossing movie during the pandemic, MGM/United Artists Releasing’s No Time to Die was also the most pirated movie for the period of November 15-21. In addition, the most ripped TV season over the last week was Amazon’s adaptation of the Robert Jordan fantasy novel The Wheel of Time. All of this information
Refresh for latest…: There was a lot of holdover play this session overseas with one new Hollywood addition in Sony’s Ghostbusters: Afterlife which came in essentially on par with pre-weekend offshore projections at $16M in 31 international box office markets. However, with domestic’s overperformance, the Jason Reitman-directed sequel trapped a better-than-expected $60M global opening. In
MGM/Eon/Universal’s No Time To Die is crossing $733M worldwide this weekend, making it the highest grossing Hollywood film of 2021 — and of the pandemic era. After topping $708M through last Sunday, and becoming the biggest Hollywood movie overseas in 2021 and throughout the pandemic, we’ve been expecting Mr Bond to overtake the previous global
“There are real grounds for optimism in our industry,” Cineworld CEO Mooky Greidinger beamed today as the world’s second largest exhibitor issued a trading update. The company reached “an important milestone” in its recovery, generating positive cash flow in October, it said in the statement. Although it didn’t get into exact figures, Cineworld did report
Refresh for latest…: After seven weekends of offshore release, MGM/Eon/Universal’s No Time To Die continues to bond with audiences and has crossed $700M global. Importantly, that includes over $558M at the international box office, making Bond 25 the biggest Hollywood movie overseas in 2021 and throughout the pandemic era. The Cary Joji Fukunaga-directed NTTD had
Refresh for latest… Disney/Marvel’s Eternals has come in ahead of projections with an opening weekend of $90.7M at the international box office, and $161.7M global when paired with domestic. This gives the Chloé Zhao-directed film bragging rights to the second-biggest worldwide opening for a Hollywood title in 2021. The global debut sets Eternals 26% ahead
Refresh for latest…: MGM/Eon/Universal’s No Time To Die, as projected, crossed the $600M global mark this weekend, leading international box office play with an additional $51.9M from 72 combined Universal and MGM markets. That lifts the offshore cume to $472.4M and worldwide to $605.8M. The bulk of the weekend’s business came from China where 007
Who says people don’t want to go to the movies and are complete lemmings for streaming? Comscore this morning reports that the October domestic box office clocked $638M, the highest month to date during the pandemic beating July’s $583.8M. Seventy-five percent of October’s figure was driven by major studio event pics Sony’s Venom: Let There
MGM/Eon/Universal’s No Time To Die brought James Bond to China today, with an RMB 52M ($8.1M) No. 1 opening (including a smattering of Thursday midnights). This is the third biggest Hollywood opening day of 2021 in the market and is ahead of the launch days of the most recent comps Dune (+33%) and Free Guy (+53%).
In mid-September, Gower Street Analytics projected global box office for 2021 would come in at $20.2B. The London-based film tech company has now increased its estimate to $21.6B, with the possibility of hitting a nice round $22B. The reason for the shift is primarily driven by the strong performance of October titles including China’s The
Refresh for latest…: There were milestones aplenty this weekend at the global and international box office with three Hollywood heavy-hitters reaching important new benchmarks. Among them, MGM/Eon/Universal’s No Time To Die crossed both $400M overseas and $500M worldwide while Sony’ Venom: Let There Be Carnage topped $350M globally. The weekend leader, however, was Warner Bros/Legendary’s
MGM/Eon/Universal’s No Time To Die is crossing $368M at the international box office and $474M worldwide with today’s business included — and that confirms something we’ve been expecting from Mr Bond. To wit: the 25th 007 movie is now the No. 2 Hollywood movie globally and overseas of 2021; both benchmarks, in studio terms, coming
Refresh for latest…: Sony’s Venom: Let There Be Carnage chomped on a big chunk of the international box office this weekend as it swallowed a $62.3M mouthful from 44 overseas markets. This follows from the symbiote’s record-breaking Russia and Latin America starts over the past few weeks. The Tom Hardy-starrer has now cumed $115.6M overseas
IFC presents Mia Hansen-Løve’s Cannes entry Bergman Island, Film Movement brings Wheel of Fortune and Fantasy to the arthouse this weekend, as A24’s surprise hit Lamb and Greenwich Entertainment’s The Rescue go wider week two after a strong open. It’s early days but a nascent specialty revival may be in the works ahead of a stream of
MGM/Eon/Universal’s No Time To Die stormed the UK when it opened on September 30, going on to become the market’s highest-grossing film of 2021 across just its launch frame. The film’s full weekend bow was $35.1M, the UK’s sixth biggest of all time and the biggest three-day start in the franchise’s history — and this
MGM/United Artists Releasing/Eon’s Monday box office for No Time to Die came in much higher than the $5M-$6M expected with $6.94M thanks to the Indigenous Peoples’ Day holiday in the Northeast. That figure bests previous Daniel Craig Bond first Mondays, i.e. Spectre ($5.3M) back in 2015, 2008’s Quantum of Solace ($4.1M) and 2006’s Casino Royale ($3.8M). No
Refresh for latest…: MGM/Eon/Universal’s No Time To Die has sped the Aston Martin past the $300M global mark, coming off of an $89.54M sophomore frame at the international box office. That lifts James Bond 25’s overseas cume to $257.27M and, including domestic’s start this session, brings the worldwide total to $313.3M. The overall drop from
United Artist Releasing/MGM/Eon’s No Time to Die clocked $6.3M from Thursday previews which began at 4PM, making it the best Bond domestic preview number ever, 19% ahead of Spectre‘s $5.25M six years ago. The figure also exceeds the preview nights of previous 007 Daniel Craig movies Skyfall ($4.6M off midnight shows) and Quantum of Solace ($2.5M off 8PM showtimes0. While No Time to
One thing is clear after we’ve endured a 19-month pandemic: The world now, more than ever, needs James Bond. And not just movie theaters, and concession industries, but an assortment of brands from Madison Avenue which have seen sales curtailed during lockdown, in particular the auto industry which continues to see production slowed due to
To quote Daniel Craig in the latest No Time to Die Heineken commercial, the domestic box office opening and further offshore rollout of the 25th 007 title is poised to be “Well worth the wait.” All in, the upcoming global weekend of No Time to Die is expected to be at $150 million. Broken down, that’s another $90
After an 18 month release date delay due to the pandemic, the anticipation for MGM/EON/United Artist Releasing’s 25th James Bond movie, No Time to Die, is no doubt huge: Fandango is reporting that the advance ticket sales for Daniel Craig’s swan song as 007 are already outstripping Universal’s F9 and Sony’s Venom: Let There Be Carnage, and it’s
What does the international box office and cinema landscape look like in an emerging post-pandemic world? That was the gist of an executive roundtable at CineEurope in Barcelona today. Among the key takeaways: the relationship between exhibition and distribution and a need for more collaboration in terms of reaching consumers. With so much content available
When the studio gets rich on a box office hit, exhibition shares in that and there was certainly a downpour of cash for the latter thanks to the $90M pandemic domestic opening record of Sony’s Venom: Let There Be Carnage, and also the $119M launch of MGM/UAR/Universal’s No Time to Die. The No. 1 circuit in the