The Watcher cruised to a win in Nielsen’s streaming rankings for the week of October 10 to 16, giving producer Ryan Murphy his second top show less than a month after the release of the blowout hit Dahmer. With 2.355 billion minutes of streaming, the series more than doubled the viewership of runner-up The Lord
Halloween Kills
SATURDAY AM: There’s about $10M missing from the current theatrical marketplace this weekend. Projections for Universal/Blumhouse/Miramax/Trancas’ Halloween Ends were expected to come in around $55M and now it’s looking like $43.4M. Clearly tracking didn’t account for the theatrical-day-and-date factor. Yes, it’s still a profitable gross against the film’s $30M production cost, and Uni’s theatrical distribution
Who says people don’t want to go to the movies and are complete lemmings for streaming? Comscore this morning reports that the October domestic box office clocked $638M, the highest month to date during the pandemic beating July’s $583.8M. Seventy-five percent of October’s figure was driven by major studio event pics Sony’s Venom: Let There
Refresh for latest…: Sony’s Venom: Let There Be Carnage chomped on a big chunk of the international box office this weekend as it swallowed a $62.3M mouthful from 44 overseas markets. This follows from the symbiote’s record-breaking Russia and Latin America starts over the past few weeks. The Tom Hardy-starrer has now cumed $115.6M overseas
Universal/Miramax/Blumhouse’s sequel Halloween Kills, which is also available on Uni’s streaming service Peacock today to paid subscribers, made $4.85M from 7PM shows last night booked at 2,950 theaters. The rebooted franchise from filmmaker David Gordon Green, and starring the franchise’s legend Jamie Lee Curtis of six pics, is expected to open to mid-to-high $30Ms, for what is
The failure of Universal’s Dear Evan Hansen at the domestic box office with a $7.5M opening didn’t really surprise anyone after the movie was torn apart by critics post its TIFF world premiere. But the latest misfire by a feature adaptation of a Broadway musical raises plenty of questions about the sub-genre’s fate at the
Universal will be releasing the Blumhouse/Miramax movie Halloween Kills in theaters and on Peacock on Oct. 15. The release date stays the same, the distribution pattern changes up. Why is Uni doing this in the wake of moviegoers’ great return to theaters for Disney/Marvel’s Shang-Chi and the Legend of Ten Rings, that pic having cleared $106M?