Blumhouse

There’s always been a demand for horror in the New Year, and Universal, Blumhouse and Atomic Monster are meeting that this weekend with Night Swim which made $1.45M in previews at 2,750 theaters from showtimes that began at 5PM. The PG-13 movie isn’t expected to be M3GAN, the early PG-13 horror doll hit from last
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EXCLUSIVE: Here’s an eyebrow raiser in the wake of a zany box office season turned upside down by the actors strike, and ruled by Taylor Swift: Universal/Blumhouse‘s feature take of videogame, Five Nights at Freddy’s, is shaping up for an opening around $40M. That would be the second-best opening at the fall box office YTD
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Universal/Blumhouse/Morgan Creek’s The Exorcist: Believer will continue horror’s head-spinning roll at the autumn box office with a $30M-$36M domestic start at 3,600 locations. Currently, the R-rated reboot/sequel is trending demo-wise like The Nun 2, which saw a $32.6M opening, meaning it’s great with the 18-34 demographic, Hispanic and Latino audiences as well as older guys.
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With this weekend’s grosses, Sony/Screen Gems/Stage 6 Films/Blumhouse’s Insidious: The Red Door has become the biggest horror movie of the year globally at $182.5M, edging M3GAN’s worldwide cume of $180.8M. The current frame was worth $2.5M from 59 overseas markets for an international cume of $101.8M. The Insidious franchise has now earned over $735M worldwide. Already last frame, the Patrick
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When it comes to horror movies at the box office, Sony resurrected its track record this past weekend with the opening of Blumhouse/Stage 6 Films’ fifthquel, Insidious: The Red Door which had a $32.65M domestic opening, $64M Worldwide debut. On the domestic front, that’s the second best horror opening for Sony after 2004’s The Grudge
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SUNDAY AM UPDATE: Universal/Blumhouse/Atomic Monster’s M3GAN is a monster at the box office, with an opening of $30.2M after a rich Saturday of $11.7M, even with Friday’s take, plus previews. What a great late Christmas present for exhibition. Not to mention the start of a new franchise, as this one will have legs and give
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EXCLUSIVE: James Wan has been labeled by fans for being responsible for killer doll movies, specifically his Conjuring franchise spinoff, Annabelle. “It’s funny, I really hadn’t done that yet,” says the horror auteur. And that was his prime reason to create M3GAN with screenwriter Akela Cooper. “In my previous doll movies — they don’t kill
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John Cho and Katherine Waterston will headline Sony–Blumhouse-Depth of Field’s They Listen, directed by Chris Weitz. A theatrical release of Aug. 25, 2023 has been set; it’s the only wide release that weekend. You’ll remember the Cho thriller Searching debuted in late summer and was a microbudget hit grossing over $26M stateside, and north of
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NBC Universal chief Jeff Shell was coy yet clearly jazzed today about the possible merger of prolific horror producers Jason Blum and James Wan’s respective companies — Blumhouse and Atomic Monster – saying “I can’t confirm it,” but, “If that should happen, we are going to be in an absolutely impregnable position.” He spoke at the UBS media conference today. The two
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SATURDAY AM: There’s about $10M missing from the current theatrical marketplace this weekend. Projections for Universal/Blumhouse/Miramax/Trancas’ Halloween Ends were expected to come in around $55M and now it’s looking like $43.4M. Clearly tracking didn’t account for the theatrical-day-and-date factor. Yes, it’s still a profitable gross against the film’s $30M production cost, and Uni’s theatrical distribution
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Universal, Blumhouse,  Atomic Monster and Divide/Conquer AI thriller M3GAN, starring Allison Williams, will hit theaters on Friday, Jan. 13, 2023. Uni already had the date reserved with Warner Bros also having an untitled movie and Sony with J.C. Chandor’s Kraven the Hunter already on that weekend. Directed by Gerard Johnstone (Housebound) with a script by Akela Cooper (Malignant,
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After great reviews at 100% on Rotten Tomatoes after its world premiere at Fantastic Fest and a great response to the trailer at CinemaCon, Universal is moving Blumhouse’s Scott Derrickson directed feature from Jan. 28, 2022 to Feb. 4, 2022. The following weekend is the Valentine’s Day-Presidents Day stretch which is an ideal period for Black
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Universal joins Disney and 20th Century Studios in planning a theatrical release schedule for 2024, however, the studio didn’t name any titles. The only hardcore titles that has been dated in 2024 is Warner Bros./Village Roadshow’s Mad Max spinoff Furiosa on May 24, Memorial Day weekend, starring Anya Taylor-Joy, Chris Hemsworth and Yahya Abdul-Mateen II and 20th Century
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EXCLUSIVE: The Purge franchise architect James DeMonaco has crafted a personal film, which is an ode to cinema, based in his hometown of Staten Island, entitled This Is the Night and the Blumhouse release has a one-week theatrical run starting this Friday, Sept. 17 at Angelika’s Village East in New York City before hitting PVOD on Sept. 21 via
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Universal Pictures and Blumhouse Productions have selected Jan. 28, 2022 for the release of Scott Derrickson’s next movie The Black Phone. Uni already had the date on hold for a Blumhouse title, and this is the one. The Black Phone is currently the only wide release on that date, coming in the wake of Sony/Marvel’s Morbius on Jan. 21.
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In a snap, Universal was ready to backfill July 2 today with its long-awaited Blumhouse sequel The Forever Purge with the news of Paramount/Skydance’s Top Gun: Maverick leaving the Fourth of July weekend for Nov. 19. The last two Purge movies, 2018’s The First Purge and 2016’s Purge: Election Year played the July 4th corridor. The Forever Purge moves up from July 9. The
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