Broadway box office was up about 16% last week, with three new productions joining the playing roster and all 30 of the shows taking in a combined $22,855,192. The figure, which represents box office grosses for the week ending Nov. 7, indicates an expected rebound from the $20 million tally of the previous week, which included
BoxOffice
Paramount will continue to experiment with a theatrical day-and-date release model during the pandemic with eOne’s Clifford the Big Red Dog, a live-action CGI hybrid take of the 1963 Scholastic children’s book classic which hit theaters today at 1:30PM, goes wide tomorrow at 3,695 theaters and also drops on Paramount+. The movie is expected to do between
EXCLUSIVE: United Artists Releasing is pivoting its awards season release of MGM’s Joe Wright feature musical Cyrano. Instead of the Peter Dinklage-Haley Bennett movie going limited on Dec. 31, UAR will qualify the movie for Oscars with a one week run in Los Angeles on Dec. 17. The pic, which already counts 86% fresh on
AMC Entertainment saw revenue jump to $763 million last quarter, beating Wall Street forecasts on a strong movie slate and accelerating theatrical recovery. Adjusted EPS losses of 44 cents a share shrank from a loss of $8.41 a year ago. Analysts had anticipated sales of $708 million with an EPS loss of 53 cents. As
AMC CEO Adam Aron, who already has announced a push into retail popcorn sales and accepting payment in cryptocurrencies, waxed enthusiastic Monday at a flood of new ventures suggested by the chain’s 4.1 million retail investors. The floated ideas include everything from an AMC credit card and a return to movie producing to its own
At the exit to a gallery in the Academy Museum of Motion Pictures is a display of opinions about the future of cinema. For example: “THE FUTURE OF CINEMA IS INCLUSION NOT EXCLUSION” –Kimberly Steward
Refresh for latest… Disney/Marvel’s Eternals has come in ahead of projections with an opening weekend of $90.7M at the international box office, and $161.7M global when paired with domestic. This gives the Chloé Zhao-directed film bragging rights to the second-biggest worldwide opening for a Hollywood title in 2021. The global debut sets Eternals 26% ahead
Neon’s Spenser with Kristin Stewart rang in an opening weekend of $2.149 million on 996 screens, a per screen average of $2,158 as the film failed to connect in a market that remains a stubbornly hard sell for specialty and independent films. The well-reviewed (with raves for Stewart as Lady Diana) reimagining by director Pablo
Cinemark, the nation’s third-largest movie chain, grew revenue and slashed losses last quarter, the first one since Covid with 100% of its theaters open. Talking with Wall Streeters on his last conference call as CEO, Mark Zoradi described a push into gaming (hiring a VP, setting up a dedicated division) as well as wrestling and
Neon presents Spencer on just under 1,000 screens, Pablo Larraín’s well reviewed psychological drama about the weekend Princess Diana rewrote the future of the British monarchy. The film is said to be looking at a $2-$2.5 million opening with an 84% Certified Fresh critics’ score on Rotten Tomatoes but a 50% audience score (albeit from
Sony has dated TriStar’s The Woman King from Gina Prince-Bythewood to open on Sept. 16, 2022. The movie will be up against Universal/Amblin’s sci-fi movie Distant and Lionsgate’s White Bird: A Wonder Story. At the same time they’ve pushed Affirm Films’ untitled George Foreman Biopic from Sept. 16, 2022 next year to March 24, 2023. On the pic’s
Deadline has confirmed that Disney is shutting down production on Black Panther: Wakanda Forever for a temporary amount of time. The news Friday comes in the wake of star Letitia Wright injuring herself in late August, when she suffered minor injuries on a stunt rig incident. She was released from the hospital at that time. We
UPDATED, Friday midday: Disney’s Eternals is heading toward a $30 million Friday, including those $9.5M previews from last night. Given that Friday is typically around 40% of the weekend, this will put the Chloé Zhao-directed movie in the $70M-$75M range from what we’ve figured. Again, this could fluctuate up or down by Saturday morning. Do the fans
Among film distribution executives in town, there’s a saying about Disney’s theatrical releases, in particular their Marvel titles: That they’re “five quad” movies. What does that mean? Essentially, the Marvel Cinematic Universe titles are known to overindex and perform well beyond the norms of a regular four quadrant demographic tentpole which is aimed at male
Debuting in an initial 14 international box office markets on Wednesday, Disney/Marvel’s Eternals opened to an estimated $7.6M with No. 1s across the vast majority. First-day results on the Chloe Zhao-directed pic put it 85% ahead of Shang-Chi And The Legend Of The Ten Rings and 20% ahead of Black Widow on a like-for-like basis.
Theatrical giant AMC Entertainment announced it’s “expanding its business outside of the traditional theatrical exhibition industry with plans to capture a piece of the growing multi-billion dollar popcorn market.” That means it will be selling AMC Theatres Perfectly Popcorn through four new platforms starting next year, including at AMC Theatres Perfectly Popcorn kiosks at select
The anticipated robust overseas box office of Disney/Marvel’s Eternals, which posted a first day of $7.6M, will definitely not have Saudi Arabia, Qatar, Kuwait, Bahrain and Oman in its future release plans. Eternals was originally scheduled to open in the region on Nov. 11. While official reasons weren’t provided by either the studio or the local territories,
Universal is transporting next year’s DreamWorks Pictures’ sci-fi movie Distant from March 11 to September 16. Distant leaves behind Disney/Pixar’s Turning Red on its old date and now will face off against Lionsgate’s family movie White Bird: A Wonder Story and Sony’s untitled George Foreman biopic on its new date. The pic directed by Josh Gordon and Will Speck
The critically acclaimed Broadway plays Is This A Room and Dana H. have been given two-week reprieves by ticket-buyers: Recently-announced early closing dates have been rescinded due to increased demand. Instead of closing Nov. 14, both shows will play through most of the month. Tina Satter’s Is This A Room, starring Emily Davis as whistleblower
Disney/Marvel’s Eternals which is set to keep the fall box office rally going is looking at a global opening of $150M, a number that’s poised to best the $128M WW start of Shang-Chi and the Legend of Ten Rings back in early September, and emulate the $150M filed by Black Widow which had a Disney+ Premiere day-and-date component in select
Broadway’s 27 productions took in a $19,663,438 total box office last week, a drop of about 11% from the previous week’s tally, according to figures from the Broadway League. For the week ending Oct. 31, total paid attendance was 168,169, about 78% of the combined capacity for all productions. The season-to-date box office (since Aug. 4)
Warner Bros/Legendary’s sci-fi epic Dune is crossing the $300M mark globally today, with North America totaling $71M through Monday and including $228.3M at the international box office. The Denis Villeneuve-directed world-building movie, based on Frank Herbert’s classic novel, initially debuted at the Venice Film Festival where it garnered strongly positive response. It has been on
Jason Wald has joined Neon as VP Acquisitions and Production, reporting to Jeff Deutchman, EVP of Acquisitions and Production. Wald will assist the team curate their slate as the studio continues to ramp up production. Wald previously served as the Director of Acquisitions at Searchlight Pictures, identifying and acquiring features for the label’s theatrical slate
Update: The Man From Toronto is walking away from MLK weekend 2022 where Kevin Hart has traditionally launched his Ride Along movies and will now open on Aug. 12, 2022. Man From Toronto leaves behind Spyglass and Paramount’s reboot of Scream on MLK, as well as the Ben Affleck and Ana de Armas 20th Century Studios thriller Deep Water and
Refresh for latest…: MGM/Eon/Universal’s No Time To Die, as projected, crossed the $600M global mark this weekend, leading international box office play with an additional $51.9M from 72 combined Universal and MGM markets. That lifts the offshore cume to $472.4M and worldwide to $605.8M. The bulk of the weekend’s business came from China where 007
Edgar Wright’s Last Night In Soho is an arthouse film that opened on 3,000 screens — a gamble in a theatrical market where multiplex-goers have been mostly turning out for big-budget, high-octane studio franchises. (Dune, Halloween Kills and No Time To Die took top spots this weekend, a soft one overall where Halloween parties may
The Los Angeles County Department of Public Health reported 11 new deaths from Covid-19 on Sunday, along with 1,118 new positive cases. The number of deaths and confirmed cases reported today may reflect delays in weekend reporting. Today’s tallies bring the County to a total of 26,637 deaths and 1,493,170 positive cases. At the time
Who says people don’t want to go to the movies and are complete lemmings for streaming? Comscore this morning reports that the October domestic box office clocked $638M, the highest month to date during the pandemic beating July’s $583.8M. Seventy-five percent of October’s figure was driven by major studio event pics Sony’s Venom: Let There
China has dated a trio of studio movies for the early part of November, just as MGM/Eon/Universal’s No Time To Die bows today and with Warner Bros/Legendary’s Dune having opened last weekend. Notably, Disney’s Jungle Cruise will sail into the massive market on November 12. Before that, Paramount’s Snake Eyes: G.I. Joe Origins rolls in
Saturday AM Update: The first Halloween in two years during the pandemic is taking its toll on the domestic box office, a grey cloud which many saw coming, with many trick-or-treating or heading to parties tonight. Essentially, whenever the holiday falls on a Sunday, it’s poised to gut the weekend. And, yes, we can blame
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