The heroine of Goran Stolevski’s You Won’t Be Alone is a witch, with echoes of vampire and zombie, yes, but mostly with a haunting desire for human connection in 19th century rural Macedonia. The film’s Sundance premiere got great reviews (see Deadline’s here). It’s 94% Rotten Tomatoes Certified Fresh with critics as Focus Features opens
Box Office
Everything Everywhere All At Once grossed over half a million dollars on 10 screens in NYC, LA and San Francisco for a hefty $50,965 per-screen-average — a number rarely seen since the pre-Covid old days of theatrical releases and the biggest of the year so far. The mind-melding Michelle Yeoh-starrer directed by the Daniels (Dan
A24’s SXSW opener Everything Everywhere All At Once, Bleecker Street’s Infinite Storm and Sony Pictures Classics’ Mothering Sunday offer something that’s been rare of late at the specialty box office, fresh content and choice. They’re in a market with only one new studio wide release, Paramount’s The Lost City with Channing Tatum and Sandra Bullock.
The highly anticipated and Covid-delayed release of Indian action film RRR opened with a bang as distributor Sarigami Cinemas said it’s grossed $4.5 million including late night and early morning shows and anticipated a $12-$15 million weekend. Read Deadline review here. That would be the biggest Thursday ever for an Indian film Stateside with 947 locations
A24’s smart slasher/horror X grossed over $4.4M on 2,865 screens to take fourth place at the weekend box office, topping expectations for writer/director Ti West’s return after a six-year absence from film. His first ever wide release, a cross between the Texas Chainsaw Massacre and Boogie Nights, is currently Certified Fresh at 96% and has a prequel nearly
This is one of the best weekends for new indie releases in some time — a bit of space in theaters to run and audiences slowly, but increasingly, willing to return. Focus Features’ The Outfit – the directorial debut of Oscar-winning screenwriter Graham Moore (The Imitation Game) — opens nationally on over 1,200 screens with Mark
BTS – specifically BTS Permission To Dance On Stage – Seoul: Live Viewing grossed $6.84 million in North America on Saturday for a per screen average of $8,500+ across 803 theaters, ranking third at the weekend box office so far after The Batman and Uncharted. Globally, it broke the event cinema record with a worldwide
A4 presents Kagonada’s second feature After Yang in limited release, the latest in the distributor’s varied indie slate ahead of wide-release horror slasher X on 3/18 and sci-fi adventure Everything Everywhere All At Once on 3/25 — which is also opening SXSW Film Festival. This is a weekend where The Batman casts a long shadow,
Marcus Theatres is transforming an auditorium at its Gurnee Mills theater outside Chicago into a sports bar with high-def monitors and food and drink starting with March Madness as chains experiment with new ways to attract patrons. “I can’t think of a better place to watch these games,” said CEO Greg Marcus. Plans call for
The cast of luminaries that first-time filmmaker Lisa Hurwitz assembles in documentary The Automat have one thing in common – extreme adoration for the famed Horn & Hardart eateries, whose soaring ceilings, famed coffee and wholesome vending-machine meals for a nickel dominated the food scene in Philadelphia and NYC through much of last century. Mel
Joe Wright’s Cyrano twirls onto 797 screens, the highest-profile specialty release in weeks (as the market awaits Focus Features The Outfit with Mark Rylance and Sony Pictures Classics Mothering Sunday). But the well reviewed period musical romance from UAR starring Peter Dinklage is landing in a tough place. Industry estimates anticipate a low single digit
Neon’s standout romance about a young woman in Oslo churning though career choices and boyfriends passed $1 million this weekend on 265 screens, up from 49. With marketing in high gear and strong word of mouth, the Oscar Best International Feature nominee will continue to expand next week. Worst Person grossed $500,299 for three days
As Oscar nominees circulate in theaters, exhibitors are studying where and when to play Best Picture contenders during the long run-up from nominations February 8 through the awards March 27, juggling holdovers and new releases. (See this weekend’s specialty box office offerings below). In an interview with Deadline, Zach Nix, senior film buyer at Alamo
Weekend grosses popped higher for Oscar Best Picture nominees led by Licorice Pizza, Belfast and Drive My Car. Warner Bros. hasn’t reported grosses for Dune but at circa $150K as per industry sources it’s quadruple last weekend on more screens. Licorice Pizza and Belfast also had a big jump in runs so fatter grosses aren’t
Disney’s 20th Century Studios Kenneth Branagh movie Death on the Nile saw $1.1M in both Wednesday and Thursday previews, while Universal’s Jennifer Lopez-Owen Wilson romantic comedy posted $525K just from Thursday night shows. Marry Me, which also made itself available on Peacock last night as the third Universal dynamic release with its sister streaming service, was in play
Films from Belfast to Drive My Car, from The Worst Person In The World to Nightmare Alley saw ticket sales pop after Academy Award nominations and as distributors kick into high gear for this weekend and beyond, juggling theater counts and ramped up media campaigns that now have a shiny new imprimatur. For Neon’s The Worst
Neon’s The Worst Person In the World racked up a few bests this weekend with a cume of $135,042 at four NY/LA theaters for a popping per screen average of $33,768. The poignant comedy from Norway by Joachim Trier that premiered at Cannes (star Renate Reinsve took Best Actress) has great word of mouth. It’s
The UK’s high-end TV (HETV) and film industries have defied the Covid odds and are back, pulling off a record year in 2021 as they delivered a massive £5.6B ($7.6BN) of production spend. Today’s annual statistics from the BFI showed a hefty turnaround after last year’s spend fell by 20%, in a year that included
Cinemas from Philly to New York State and Boston (Coolidge Corner Theatre, you were missed) shuttered all or part of Sat., rattling but not routing the specialty box office. And a shout-out to theaters in NYC proper where all stayed open – sparse by day but picking up in the evening thanks to “younger people
GameStop: Rise of the Players, Adrien Brody passion project Clean, Cannes winner Compartment No. 9, Danish upscale restaurant drama A Taste of Hunger, Michel Franco’s Sundown and Woody Allen’s latest Rifkin’s Festival hit theatres crowded by Oscar contenders in a specialty market consumed by awards season (and as a major storm looks set to pummel the
Critically acclaimed specialty holdovers continued to plant their flags in theaters as awards season advances and Oscar nominations loom — and on a weekend with few new releases, most not reporting grosses today. Among the bigger indies, United Artists Releasing’s Licorice Pizza by Paul Thomas Anderson grossed an estimated $683k in week nine from 772
A specialty market dotted by holdovers as Oscar nods approach and gripped by Sundance fever debuts a compelling handful of new openers from Korean director Hong Sang-soo’s Introduction to Bhutan’s first ever entrant on the Academy Awards International feature shortlist, to a Ukrainian coming of age story and a Queen Latifa-starrring family film Tiger Rising
Belle is set to top $2 million Thurs.-Mon. on 1,326 screens, according to distributor GKIDS. With Saturday’s actuals, it said, the gross surpassed $1.2M, making it director Mamoru Hosoda’s highest grossing film in the U.S. That was previously 2018’s Mirai with $812K. Hosoda’s (The Boy and the Beast) latest film with Studio Chizu was also
Fathom Events presents Betty White: A Celebration in 1,529 locations nationwide, a one-day-only special event on Monday honoring the actress who died Dec. 31 just a few weeks shy of her 100th birthday. The star-studded reflection on White’s life and career, which had already been set by filmmakers Steven Boettcher and Mike Trinklein to celebrate
United Artists Releasing likely won’t expand Licorice Pizza until next month and Sony Pictures Entertainment is going to take things slow with Jockey as the Omicron variant delays the return of the elusive older demo to cinemas. Jockey— one of the weekend’s few new releases — reported an estimated opening of $4,161 in three locations for
Numbers, those longtime pillars of the entertainment business, determiners of pay scale and quantifiers of the hot and the not, are vanishing from public view. Streaming’s inexorable takeover of the industry has altered the once-straightforward process of measuring the performance of TV programs and movies. Of course, there has been grumbling for decades about Nielsen’s
Sony Pictures Entertainment follows its release of Parallel Mothers last week with Jockey in three theaters in NY/LA (Film Forum, AMC Lincoln Square, Laemmle Royal) in a specialty market crowded by holdovers and wide releases, and amid a Covid-19 surge that’s particularly tough on arthouses. The frame isn’t ideal for new specialty fare in any case but
Memoria took in $6,797 on one screen Sunday, the first day of the first week exclusive engagement for the Neon film starring Tilda Swinton. It will play the IFC Center in NYC through Sat. Jan 1. That’s the start of a cross country tour in an unusual release strategy the distributor and the film’s director
Pedro Almodóvar’s Parallel Mothers opened to an estimated $41,076 this weekend on three screens for a PSA of $13,692 over three days. Distributor Sony Pictures Classics co-president Michael Barker calls that cume conservative, anticipating $42-$43K for the Penelope Cruz-starrer that he said has been attracting a diverse new audience to Almodóvar, including younger moviegoers. “We’re thrilled
Adult demos slow to embrace cinemas may be even slower this holiday weekend amid a barrage of breathless Omicron headlines — that aren’t all bad. It spreads fast but seems less virulent than previous strains, and may burn out faster. “I think we might get dinged a little bit,” said one distribution executive. However, “This