Steve Coogan, Armando Iannucci and Sean Foley are teaming for a West End stage production of Stanley Kubrick’s classic 1964 war satire, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. Billed as the first-ever adaptation of a Kubrick work, Dr. Strangelove will star Coogan in multiple roles at London’s Noel
Theater
Jessica Lange, Jim Parsons and Celia Keenan-Bolger will star on Broadway this spring in a world premiere production of Paula Vogel’s new Mother Play, to be directed by Tina Landau. The Second Stage Theater production will begin a limited engagement at Second Stage’s Hayes Theater on Tuesday, April 2, with an official opening on Thursday,
Producers of the struggling A Beautiful Noise: The Neil Diamond Musical are hoping for better attendance by breaking with a long-held Broadway tradition: Beginning next month, the musical will play four weekly matinees rather than the usual three while cutting the number of evening performances to four from the traditional five. Beginning Sept. 6, the
A newcomer will be easing on down the road next year. Nichelle Lewis has been cast in the lead role of Dorothy in the Broadway revival of The Wiz, which is slated to hit the boards in the spring. Discovered via a TikTok video and beating out more than 2,000 other hopefuls, she also will
EXCLUSIVE: Moulin Rouge! The Musical, based on Baz Luhrmann’s 2001 luscious pop classic movie starring Nicole Kidman, Ewan McGregor and Jim Broadbent, has recouped its costs — not only the $28 million Broadway price tag, but it also recouped sizable sums in London’s West End and Australia. Luhrmann tells me that it’s “so gratifying that breaking
Alex Newell of Shucked and J. Harrison Ghee of Some Like It Hot broke ground Sunday night as the first openly nonbinary Tony Award winners. Newell won for Best Actor in a Featured Role in a Musical and Ghee for Best Actor in a Lead Role in a Musical. Both drew huge ovations with acceptance
While she was ebullient about Leopoldstadt‘s Tony Awards wins, including a crowning one for Best Play, producer Sonia Friedman offered some sobering thoughts about plays of its scale and cost Sunday night. “Oooh, this is a big conversation,” Friedman said when asked about the challenges of producing a show like Tom Stoppard’s multi-layered look at
Lin-Manuel Miranda wants to keep directing movies, but don’t look for him to mount any large-scale spectacles. “My responsibility as a filmmaker — and I really hope to make more movies — is to make the weird little musicals that no one else can get made,” he told Rosie Perez during an appearance Tuesday at
It’s safe to say that today’s picket line at Warner Bros in Burbank drew a little more attention than some other days. That’s because newly unionized strippers from North Hollywood turned out to support striking WGA writers — and they brought a pole along. Have a look at some images and video from Strippers Day
Tyne Daly and Liev Schreiber will star in a new Broadway production next February of John Patrick Shanley’s Tony Award & Pulitzer Prize-winning play Doubt: A Parable, with direction by Scott Ellis. The Roundabout Theatre Company production will begin performances in February 2024 at the American Airlines Theatre. Exact dates, remaining cast members, and design
Julie Benko, who has built a devoted following as the Funny Girl understudy and alternate Fanny Brice, will originate her first Broadway role this fall in the new musical Harmony by by Barry Manilow and Bruce Sussman. Benko will play the role of Ruth, producers Ken Davenport, Sandi Moran and Garry Kief announced today. The
The Broadway box office report won’t register the impact of this morning’s Tony Award nominations for a week or two, but today’s news certainly comes as welcome and promising signs for Shucked, Kimberly Akimbo, Fat Ham and other well-reviewed productions doing their best to compete against blockbusters like Sweeney Todd and Parade. Shucked in particular
Broadway showed signs of a spring blossoming last week, with box office receipts and ticket prices taking their traditional climb during the tourist-bumped week leading up to Easter. In all, the 33 productions grossed $38,594,054, a 12% increase over the previous week. Attendance for the week ending April 9 was 280,760, up 4%. The more
With two weeks left in its 35-year Broadway run, Andrew Lloyd Webber’s The Phantom of the Opera posted a huge box office gross last week of $3,247,106, nearly 10% of Broadway’s total take for the seven-day period ending April 2. The beloved musical – which, Lloyd Webber has suggested, might well find its way back
The Royal Shakespeare Company’s stage adaptation of Maggie O’Farrell’s best-selling novel Hamnet, a tale of love and heartbreak concerning Agnes Hathaway and her beloved one William Shakespeare, has taken the unheralded step of announcing its West End transfer before it has has even opened in the famous playwright’s place of birth. The play, adapted by Lolita Chakrabarti
Broadway’s old and new teamed up last week to boost total box office nearly 20%, with The Phantom of the Opera (the old) posting a best-ever $3 million weekly gross and The Jonas Brothers (the new, to Broadway anyway) taking in $1.6 million for their five-concert residency. In all, Broadway’s 29 productions grossed a total
The revival of Sweeney Todd: The Demon Barber of Fleet Street, with Josh Groban and Annaleigh Ashford in previews at the Lunt-Fontanne, is firmly in Broadway’s $1 million club, with receipts for the week ending March 5 at a bloody good $1,526,254. And that’s just for six performances. The Stephen Sondheim-Hugh Wheeler musical filled every
Broadway in Hollywood has tuned up the slate of musicals for its 2023-24 season. Headed to the Pantages Theatre stage starting late this year are the touring productions of MJ The Musical, The Wiz, Chicago The Musical, Girl from the North Country, Mrs. Doubtfire, Peter Pan and Company. “We’re gonna be startin’ somethin’ exciting,” Broadway
Broadway continued filling seats last week as the annual deep-discount Broadway Week promotion (actually three weeks) came to a close. Total receipts for the 21 productions tallied to $23,064,393, with attendance of 192,323 at 95% of capacity. Topping the box office roster for the week ending Feb. 12 was, once again, The Phantom of the
EXCLUSIVE: Performance artist, comedian, actress, playwright and elected Koreatown Los Angeles representative Kristina Wong has inked with CAA in all areas. Wong has mounted several solo shows here in Los Angeles, and her latest Kristina Wong, Sweatshop Overlord, was named a Pulitzer Prize finalist for Drama last year. Sweatshop Overlord, a co-production between Center Theatre Group
The long-running The Phantom of the Opera was once again Broadway’s highest grossing show last week, taking in a mighty $2,483,532 for the week ending Jan. 29, outpacing runners-up Funny Girl ($1,872,862) and Hamilton ($1,871,921) by a noticeable margin. The Andrew Lloyd Webber musical at the Majestic has experienced a remarkable resurgence in interest (and
Broadway lost six productions on January 15 – including the top-grossing The Music Man – to the usual January roster-thinning, and each show went out on a happy note with strong attendance. With 29 productions on the boards, Broadway grossed $33,859,988 for the week ending January 15, down about 9% from the previous week when
Big holiday ticket prices, bonus performances and large audiences spurred a hefty surge of nearly 50% in Broadway box office last week (ending Jan. 1) over the previous week, with productions including Funny Girl, MJ, Six, Beetlejuice and & Juliet among the shows smashing house records. With 20 of the 33 shows adding a ninth
Funny Girl broke a house record with more than $2 million in receipts at the August Wilson Theatre, A Beautiful Noise continued its $1 million-plus weekly take, and The Piano Lesson topped the list of highest-grossing non-musical productions with $914,752, each contributing to Broadway’s $37M box office tally for the week ending Dec. 18. Heading
The holiday spirit – at least the kind measured at the box office – seemed to arrive on Broadway last week, for some shows anyway. Obvious case in point: A Christmas Carol, starring Jefferson Mays in his tour de force as every last ghost, miser and Cratchit in the story, was up a bountiful 34%
EXCLUSIVE: Susan Stroman, the celebrated Broadway director and choreographer, has revealed that an acclaimed UK revival of musical comedy Crazy for You, which features show-stopping numbers from the George and Ira Gershwin songbook, will transfer from the Chichester Festival Theater into Andrew Lloyd Webber’s LW Theatres-owned Gillian Lynne Theatre for a strictly limited 30-week West End season from
Even with one fewer show on the Broadway boards, and overall attendance at the 33 productions down a smidge from the previous week, Broadway box office was up 22% during Thanksgiving week, scoring a plump $37,475,773 due to plumper holiday ticket prices. Not coincidentally, average ticket price was up 22% from the previous week, hitting
James Norton has been set to lead the West End stage adaptation of Hanya Yanagihara’s bestselling novel A Little Life. Shortlisted for the Booker Prize in 2015, the emotional story follows four college friends in New York City. Ivo van Hove (Network, Hedda Gabler) is directing the 12-week run at the Harold Pinter Theatre which
EXCLUSIVE: Sam Mendes has picked Johnny Flynn (Emma, Beast), Tuppence Middleton (Downton Abbey, Mank) and Sherlock’s Mark Gatiss to portray legendary stars Richard Burton, Elizabeth Taylor and John Gielgud in The Motive and the Cue, a mouth-watering new play by Jack Thorne that explores how acting giants Burton and Gielgud staged Hamlet on Broadway in
A busy week on Broadway saw three official openings (including the Take Me Out return) and three additions to the line-up of previewing productions, with grosses for the 34-show roster jumping by 8% (to $32,314,920) over the previous week. Attendance for the week ending Nov. 13 was up 11% to 272,232. Starting with the openers,
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