Hungary Selects Oscar Entry Hungary has selected Péter Bergendy’s Post Mortem as its official entry for the International Oscar race this year. The period horror tells the supernatural story of a post mortem photographer and a little girl confronting ghosts in a haunted village after the First World War. The film premiered at Warsaw IFF
Indies
The Eyes Of Tammy Faye has something going for it that Searchlight Pictures’ Summer of Soul did not — a minimum 45-day exclusive theatrical window now that Hollywood appear to be is in the midst of a pivot to encourage moviegoing. Eyes, directed by Michael Showalter, opens on 425 screens, expanding to another 400 next
Pantelion’s animated film Un Rescate De Huevitos (An Egg Rescue) is a rarity in the specialty box office as a Spanish language animated film. And its opening weekend success will certainly come as no surprise in Mexico where the franchise is its highest-grossing film series to date. The Spanish-language animation performed tremendously at its 320
Together, the lockdown drama from Bleeker Street, opens on 250 screens this weekend in a specialty market treading water and with little visibility on box office amid daily Covid headlines. The trend continues of specialty films going wider faster and narrowing the window from theatrical to VOD in a nod to the chunk of its
Sean Penn’s Flag Day raised a $1,656 per screen average from 24 runs this weekend, a glum opening for the father-daughter family drama from United Artists Releasing. The film, directed and starring Penn as the most notorious counterfeiter in U.S. history, along with daughter Dylan Penn, targeted an older, sophisticated demo that’s proving hard to
Sony Pictures Classics’ The Lost Leonardo had a notable debut on three screens on a quiet weekend for specialty openings. The film about da Vinci’s Salvator Mundi painting opened to $13,209 with a per screen average of $4,403 ahead of a national release. The distributor has been a steadying presence a tough arthouse climate. Its
Documentaries about a da Vinci and a dictator, a Pablo Larraín drama with Gael Garcia Bernal, a Donnie Yen martial arts thriller by the late Benny Chan, and CODA, Apple’s record-busting Sundance acquisition, make specialty bows this weekend as the arthouse sector fights through a slow reopening. “The market is still finding a balance right
It was a triumphant second weekend for indie Stillwater from Focus Features, which hit the $10 million mark in 2,611 theatres (up by 80) and 233 DMA’s in North America, where it was no. 5. The Matt Damon-starrer held up strongly from its debut, dipping 45% — compared with a 64% drop for The Green
Sony Picture Classics and Neon fared well in their small releases this week with Nine Days and Ailey respectively, running across 6 total locations in New York, Los Angeles and Irvine – both notching heavy per screen averages with the former leading to its wider release next week. Nine Days hit NYC (Angelika, AMC Lincoln Square)
Science fiction drama Nine Days from Sony Pictures Classics opens in four theaters in a specialty market buoyed by recent releases like Roadrunner: A Film About Anthony Bourdain and Pig. New York’s arthouse scene, outpaced by LA of late, is perking up, distributors say (Ailey numbers were super there) and moviegoers are rewarding unique films
The Paris Theater, an NYC cinematic landmark rescued by Netflix in 2019, will officially reopen August 6 with the streamer’s The Forty-Year-Old Version by Radha Blank and a week of repertory films programmed by the director. The only single-screen movie theater in Manhattan and the borough’s largest, with 545 seats, has hosted limited theatrical engagements
Roadrunner: A Film About Anthony Bourdain kept its spot in the North American top ten for week two in 954 theaters – up by 27 — with an $830,000 estimated gross for the three days, leading the specialty box office. As per Focus Features, that was a total cume of over $3.7 million for the
Mark Wahlberg strides into theaters this weekend with Joe Bell as the Reinaldo Marcus Green (Monsters and Men, upcoming King Richard) film debuts on 1,093 screens supported by robust advertising and a star-driven social media campaign. Roadside Attractions is distributing, having snapped up the film from Solstice Studios which acquired it off of a 2020
Two releases, very well reviewed and pretty widely available by recent specialty standards, look set to heat up the arthouse box office this weekend — Pig with Nicolas Cage in one of his best performances in years and Roadrunner: A Film About Anthony Bourdain open on 600 and 952 screens respectively, and only in theaters. Oscar-winning
Questlove’s Summer of Soul (…Or When The Revolution Could Not Be Televised) will hit a cumulative $1.4 million rising to an estimated $1.47 million Monday with a $375,000 second-week gross in 752 theaters. The best performing documentary so far this year “may possibly get to $2 million, that’s our goal,” said Searchlight Pictures head of
Questlove’s Summer of Soul (Or, When the Revolution Could Not Be Televised) will tease the specialty box office this weekend with the brilliantly reviewed Sundance Grand Jury and Audience award-winner in special engagements in two theaters to tee up a wide release on some 600 screens, and Hulu, July 2. The film from Searchlight Pictures about the 1969
Sony Pictures Classics has made some tweaks to its release schedule for four upcoming pics and one that’s already in theaters. The distributor run by co-presidents Michael Barker and Tom Bernard said that Dror Moreh’s documentary The Human Factor, which opened last month in Los Angeles and New York, will go nationwide in theaters on May 7.
The IFC Films documentary MLK/FBI from filmmaker Sam Pollard (Two Trains Runnin’, Eyes on the Prize) makes its debut in select theaters today as well as on demand. The release aligns with Martin Luther King Jr. Day on January 18 and it is super relevant to America’s wild inequity and racist treatment of the Black community —
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