The main installation, a sand mat, resembles the traditional ones that in places like Oaxaca, are a way to say goodbye to a deceased loved one.

Oaxacan artist Fulgencio Lazo, who lives in Seattle, created a sand mat that is 31 feet by 4 feet. Lazo, who is also an engraver and painter, additionally created some woodcuts installed on the wall that would complete his Day of the Dead offering.

Carina Yépez, who honors the memory of her cousin by quilting, was born and raised in Chicago by parents from La Haciendita, Ocampo, Guanajuato. Yépez is participating for the third time in the Day of the Dead exhibition.

“The beautiful thing about this tradition that the museum taught me since I was a child and I visited is that it gives us the opportunity to heal through art and create something with our hands,” said the artist.

Yépez will also teach a quilting workshop at the Museum on Saturdays in October from noon to 3 p.m., where students will use a skull template to create an 11-inch by 17-inch quilt. This workshop is presented in conjunction with the group “Puntadas del alma,” which has been meeting at the Museum for 14 years and was started by Mercado precisely because of an exhibition.

“The class began meeting twice a month over three years and then became so popular that they meet here every Saturday,” she said. “They are women of all ages who come to work together, learn, and who are also telling us stories from their community and personal stories through the quilts, which have become a way to reinterpret past embroidery traditions and make impressive works.”

A tribute to Ray Patlán

The exhibition is also dedicated to local artist Ray Patlán (1946-2024), a Chicano muralist and painter from Pilsen who died in April. To conclude the exhibition, a mural dedicated to Patlán — created by the artist and Pilsen muralist Héctor Duarte, from Caurio, Michoacán — will be on display.

“Ray Patlán was an integral part of the Chicano movement,” said Mercado. It was Patlán who painted the main murals of the Casa Aztlán community center in Pilsen, founded in 1970 as a “Salón de la raza” and the exterior of the building that is now an apartment complex in the neighborhood; its façade was restored by Patlán and Duarte in 2017 after a new developer erased it.

“He and Patlán were good friends; they studied together in David Alfaro Siqueiros’ workshop in Mexico and there was a connection,” she explained.

Duarte pays tribute to the man he considers “the guerrilla fighter of muralism in Chicago,” because he was a promoter of art and always motivated young people to enter that world.

“I emphasize the idea of the first mural that was painted on the façade of Casa Aztlán [with] hummingbirds and monarch butterflies,” Duarte said, explaining that in Aztec culture, the hummingbird represented warriors who died in battle and returned; the monarch butterflies in his native Michoacán are the representation of souls that return, since their migration coincides with the Day of the Dead.