Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering the conversation
Greta Gerwig
The arts are well represented on Time magazine’s annual Women of the Year list, with the class of ’24 including actor, writer and director Greta Gerwig, actor Taraji P. Henson and singer, songwriter and actor Andra Day. The list of 12 women was announced this morning. Also included on the roster tennis player Coco Gauff;
“I don’t think you’ve can judge that from Barbie not getting nominated,” said Rep. Adam Schiff (D-CA) tonight to Bill Maher when asked by the host if the snub of the blockbuster’s director Greta Gerwig and star Margot Robbie in the Oscars nominations means America is a patriarchy or not. When Maher tried to link
The film festivals can always be counted on to deliver surprise hits at this time of year, but meanwhile Hollywood must deal with another issue: Its Barbitude hangover. Barbie’s billions will importantly impact upon how decision-makers frame future strategies on budget, content and promotion. The megahit could also cast a pink cloud over awards season:
National Cinema Day will return this Sunday, August 27, for a second edition, the nonprofit Cinema Foundation announced today, with discounted admissions for all movies at over 3,000 participating theaters and 30,000 screens. Tickets for all tickets, all shows and all formats will be no more than $4. Concession discounts are up to each exhibitor. At
Sequin- and self-actualization sprinkled congratulations are in order for Greta Gerwig, Margot Robbie and all the dolls and guys as the phenomenon that is Barbie has now crossed $1B global in just its third weekend. We said yesterday it was on the cusp, and now here’s the pudding. Through Sunday, the international box office estimate is
The Barbenheimer phenomenon just keeps going. To wit: there is so much energy happening at international box office turnstiles that Tuesday’s grosses on Warner Bros’ Greta Gerwig-directed Barbie and Universal’s Christopher Nolan opus Oppenheimer were down just 1% from Monday. The offshore gross through Tuesday on Barbie is now $258.5M with global at $472.6M. As
While the Hollywood Studios and WGA and SAG-AFTRA are at a standstill in labor talks –streaming residuals being a big bone of contention– the theatrical side of the business exploded with Barbenheimer together grossing over $511M worldwide, $235.5M of that being domestic. Never before in the history of Hollywood movies have two films opened respectively
When it comes to the road to blockbuster glory, some projects are willed, some happen instantaneously, while others go through a long development hell. That’s just what happens when you’re perfecting toward a hopeful billion-grossing title. In the case of Mattel’s Barbie, it was arguably a 14-year journey that began at Universal. It stands to