Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering
Five Nights At Freddy’s
Refresh for latest…: Lionsgate’s The Hunger Games: The Ballad of Songbirds & Snakes very (very) narrowly missed the $100M mark globally in its opening weekend, but it’s as near as dammit with an estimated $98.5M through Sunday worldwide. The Francis Lawrence-directed prequel came in slightly higher than pre-frame projections overseas with $54.5M from 87 international
Universal/Blumhouse’s Five Nights at Freddy’s was still plenty game this weekend, crossing $100M at the international box office and $200M worldwide. The sophomore frame overseas, where this is a pure theatrical play, dipped 54% to deliver $35.6M in 74 markets for a $103.5M offshore cume and $217.1M global. Fazbear and crew have surpassed the reported
The ramifications of the actors strike at the weekend box office continues to be felt, as ticket sales this weekend plummeted to $58.3M, which is currently the third-lowest of 2023. Remember, Legendary/Warner Bros’ Zendaya-Timothee Chalamet-Austin Butler-Florence Pugh sequel Dune: Part Two was originally set to play this weekend, and with its departure, there’s at least
Today, Universal/Blumhouse’s Five Nights at Freddy‘s is clocking past the $100M domestic mark, a box office milestone for the studio when it comes to its experimental theatrical day-and-date releases on its Peacock streaming service. That’s not only the highest that Uni has seen from a pic that’s been distributed via such means at the box
Refresh for latest…: Universal/Blumhouse’s Five Nights at Freddy’s is gaming its way to an estimated $130.6M global opening, higher even than we had it yesterday as this phenom is now eyeing a $52.6M bow from 64 international box office markets. As Anthony has chronicled, the domestic $78M opening is a stunner — and amid the
The phenomenon that is Universal/Blumhouse’s Five Nights at Freddy’s is currently looking at a global opening of $130M. Fazbear and crew are playing in 64 international box office markets where they are expected to reach $52M through Sunday. The worldwide number reps the biggest horror opening of the year and the biggest global debut ever
EXCLUSIVE: “We may have a big hit on our hands,” beamed one person close to the production of Universal/Blumhouse’s feature take of videogame Five Nights at Freddy‘s today. And while the movie, which hits theatrical-day-and-date today on screens at 2PM and on Peacock at 6PM is projected to do around $50M, there are some crazy
No one knew how big this was going to be, or is going to be but Universal/Blumhouse’s feature take on beloved horror videogame, Five Nights at Freddy‘s is eyeing a $50M+ start possibly even more. At that level, it’s the second-best opening of this autumn’s B.O. behind Taylor Swift: The Eras Tour ($92.8M). Note the
EXCLUSIVE: Here’s an eyebrow raiser in the wake of a zany box office season turned upside down by the actors strike, and ruled by Taylor Swift: Universal/Blumhouse‘s feature take of videogame, Five Nights at Freddy’s, is shaping up for an opening around $40M. That would be the second-best opening at the fall box office YTD
Blumhouse’s feature take of videogame Five Nights at Freddy’s is going theatrical day and date with Peacock on Oct. 27 this year. The pic will go wide. This is the fourth Blumhouse movie to day and date with Universal’s streaming service after Halloween Kills, Halloween Ends and Firestarter. While arguments can be made that these
Last weekend when AMC CEO Adam Aron let the cat out of the bag, that his circuit was charging more for The Batman in its first eight days than other titles on the marquee, some producers grumbled. Not Jason Blum. “Theaters are experimenting with pricing, which I think is great,” Blum told us at Deadline’s SXSW