All of Taylor Swift’s Eras Tour Outfits So Far

Culture
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In London, she debuted another bodysuit, this one covered in stars and a sliver of moon made from sequins and semi-sheer blue lace.

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Swift was posted on Donatella Versace’s Instagram page, taking credit for the singer’s silver blazer look as she performed “The Man.” The red bottom shoes are on pair of several custom Louboutins she wears throughout the evening.

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Under the jacket is a custom Versace bodysuit in iridescent purple, though on the second night, it was a shade of gold.

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While singing “Enchanted,” Swift wore another sparkling ensemble, a ball-gown from Nicole + Felicia Couture. The wide skits was covered in flowery appliqués.

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On the second, night she had a similar silhouette from up Zuhair Murad Couture in a warm pink with sequins shooting down the skirt from the bodice.

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Her black and red asymmetrical bodysuit by Roberto Cavalli was covered in a snake pattern.

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In Las Vegas, Swift debuted a beaded Oscar De La Renta custom bodysuit, dancing to “Vigilante Sh*t” with her backup and a very noticeable garter belt in matching royal blue.

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For the long performance of“All Too Well (10 Minute Version) (Taylor’s Version),” Swift was in a sparkling red trench coat over a matching bodysuit and carrying a red guitar.

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Bringing back nostalgia for her “22” music video, Swift wore a shirt that red “Not A Lot Going On At The Moment” and a black Gladys Tamez hat. On the second night of the tour, she changed the t-shirt text to read, “Who’s Taylor Swift Anyway? Ew.”

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And she wore an emerald green version of the look the second night, keeping up a pattern of slight variation from performance to performance.

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Taking a turn, she wore a dreamy, country-style dress in bright orange from Etro.

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During her song “Lavender Haze,” Swift wore another custom Oscar De La Renta covered in iridescent crystals with another piece by the fashion house over it, a beautiful lavender fur coat.

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While singing “Tim McGraw” Swift wore a magenta Jessica Jones, again switching to green in the same style the second night.

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In her final song, she put on an explosive, sparkly overcoat and wore black, knee-high Louboutins.

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There’s a dark blue version of the coat as well.

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This flowing green cutout dress features split sleeves and more embroidery and beading along the bodice.

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Headshot of Aimée Lutkin

Aimée Lutkin is the weekend editor at ELLE.com. Her writing has appeared in Jezebel, Glamour, Marie Claire and more. Her first book, The Lonely Hunter, will be released by Dial Press in February 2022.

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