There may have not been as much television in 2024 so far as in previous years, but there was a Hell of a lot of great TV in the first half of this year. The harsh beauty of FX’s Shōgun, the depths of Baby Reindeer and Big Mood, the wit of Diarra from Detroit, and the
Echo
Lauren Ridloff and Joshua Feldman are being the change they hope to see in Hollywood. The creative duo spoke to Deadline about the importance of hiring deaf and disabled creatives on both sides of the camera to tell authentic stories—and they hope the industry follows their lead. “The most important thing to keep in mind